[[:publications:start|Version française]]


====== Publications ======

** Journals **

  * O. Perrotin, C. d'Alessandro\\ **Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction**\\ //ACM Transactions on Computer-Human Interactions//, accepted

  * L. Feugere, C. d’Alessandro\\ **Gestural control of voice synthesis: the Cantor Digitalis and Digitartic instruments** ([[http://ts.revuesonline.com/article.jsp?articleId=35669|web]]) \\ //Traitement du signal, 32(4), 417-442, 2015. DOI:10.3166/TS.32.417-442// \\ ([[https://groupeaa.limsi.fr/en:membres:feugere#journals|see extended abstract]])

  * C. d’Alessandro, L. Feugère, S. Le Beux, O. Perrotin, A. Rilliard\\ **Drawing melodies:  evaluation of chironomic singing synthesis** ([[http://scitation.aip.org/content/asa/journal/jasa/135/6/10.1121/1.4875718|web]])\\ //J. Acoust. Soc. Am. 135 (6), 3601-3612// (2014) \\


**International conferences with proceedings**
     * L. Ardaillon, G. Degottex, A. Roebel\\ **A multi-layer F0 model for singing voice synthesis using a B-spline representation with intuitive controls** ([[http://www.isca-speech.org/archive/interspeech_2015/i15_3375.html|.pdf]])\\ //Proceedings of Interspeech, Dresden, Germany//, September 6-10, 2015.

     * S. Huber, A. Roebel\\ **On glottal source shape parameter transformation using a novel deterministic and stochastic speech analysis and synthesis system ** ([[http://www.isca-speech.org/archive/interspeech_2015/i15_0289.html|.pdf]])\\ //Proceedings of Interspeech, Dresden, Germany//, September 6-10, 2015.

     * M. Evrard, S. Delalez, A. Rilliard, C. d’Alessandro\\ **Comparison of chironomic stylization versus statistical modeling of prosody for expressive speech synthesis** ([[http://www.isca-speech.org/archive/interspeech_2015/i15_3370.html|.pdf]])\\ //Proceedings of Interspeech, Dresden, Germany//, September 6-10, 2015.

     * S. Huber, A. Roebel\\ **Voice quality transformation using an extended source-filter speech model** ([[http://smcnetwork.org/node/1900|.pdf]])\\ //Proceedings of the Sound and Music Computing Conference, Ireland//, July 26-August 1, 2015.

     * O. Perrotin, C. d'Alessandro\\ **Quel ajustement de hauteur mélodique pour les instruments de musique numériques ?** ([[http://jim2015.oicrm.org/actes/JIM15_Perrotin_O_et_al.pdf|.pdf]])\\ //Journées d'Informatique Musicale (JIM15), Faculté de Musique, Université de Montreal, QC, Canada//, May 7-9, 2015.

     * O. Perrotin, C. d'Alessandro\\ **Visualizing Gestures in the Control of a Digital Musical Instrument** ([[http://nime2014.org/proceedings/papers/406_paper.pdf|.pdf]])\\ //14th International Conference on New Interfaces for Musical Expression. Int. Conf. New Interfaces for Musical Expression (NIME 2014), London//, June 30-July 4, 2014.

     * L. Feugère, C. d'Alessandro\\ **Rule-based performative synthesis of sung syllables** ([[http://nime2014.org/proceedings/papers/522_paper.pdf|.pdf]])\\ //14th International Conference on New Interfaces for Musical Expression. Int. Conf. New Interfaces for Musical Expression (NIME 2014), London.//


    
    
**Invited talks**
     * C. d'Alessandro\\ **Glos­so­lalies Elec­tron­iques** ([[http://checkthis.com/cute2014|Cute 2014]])\\ //Cute 2014, masterclass series on Culture and Technology//, March 12-15, 2014
   
   
   
**Posters**
     * L. Ardaillon\\ **Synthèse concaténative de la voix chantée** ({{:publications:posterv2.pdf|}})\\ //JJCAAS 2014//, July 2-4, 2014

**Software**
  * Cantor Digitalis, instrument of singing voice synthesis gesturally controlled, is an open-source ([[http://www.cecill.info/licences.fr.html|CeCILL]] licence) sofware and can be downloaded at http://cantordigitalis.limsi.fr