======Evaluations====== =====Sounds for the Challenge "Fill in the gap"===== Interspeech 2016 ====Ircam Concatenation synthesis==== Zip-file: [[http://groupeaa.limsi.fr/staticaa/chanter/IS16/IS16_challenge_Ircam.zip|]] * Le temps d'Interspeech, Male: \\ {{:evaluations:is16_challenge_ircamconcatenation_time-rt-svp-concat-full.mp3|}} * Le temps d'Interspeech, Female: \\ {{:evaluations:is16_challenge_ircamconcatenation_time-ms-svp-concat-full.mp3|}} * Les feuilles d'Interspeech, Male: \\ {{:evaluations:is16_challenge_ircamconcatenation_leaves-rt-svp-concat-full.mp3|}} * Les feuilles d'Interspeech, Female: \\ {{:evaluations:is16_challenge_ircamconcatenation_leaves-ms-svp-concat-full.mp3|}} ====Calliphony synthesis==== Zip-file: [[http://groupeaa.limsi.fr/staticaa/chanter/IS16/IS16_challenge_Calliphony.zip|]] * Le temps d'Interspeech, Male: \\ {{:evaluations:is16_challenge_calliphony_rtts_cal.mp3|}} * Le temps d'Interspeech, Female: \\ {{:evaluations:is16_challenge_calliphony_msts_cal.mp3|}} * Les feuilles d'Interspeech, Male: \\ {{:evaluations:is16_challenge_calliphony_rtls_cal.mp3|}} * Les feuilles d'Interspeech, Female: \\ {{:evaluations:is16_challenge_calliphony_msls_cal.mp3|}} ---- ===== Sounds related to paper "Evaluation of singing synthesis: methodology and case study with concatenative and performative systems"===== Paper submitted to Interspeech 2016 All sounds used for the experiment can be downloaded at [[https://groupeaa.limsi.fr/staticaa/chanter/IS16/FeugereDDAR16_sounds.zip]] ====ACR test==== 4 extracts of 4-bars each were listened by participants. Only the first extract is given here, and for one piece (Interspeech Time). Original recording: * Nat (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-nat_1.mp3|}} * Nat (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-nat_1.mp3|}} Degraded conditions: * DC1 (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-nat-aut_1.mp3|}} * DC1 (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-nat-aut_1.mp3|}} * DC2 (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-nat-ove_1.mp3|}} * DC2 (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-nat-ove_1.mp3|}} * DC3 (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-nat-str_1.mp3|}} * DC3 (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-nat-str_1.mp3|:evaluations:is16_evalchanter_acr_tim-rt-nat-str_1.mp3}} Concatenative system: * PAN-con (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-PAN-con_1.mp3|}} * PAN-con (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-PAN-con_1.mp3|}} * PAN-mi (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-PAN-MIT_1.mp3|}} * PAN-mi (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-PAN-MIT_1.mp3|}} * SVP-con (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-SVP-con_1.mp3|}} * SVP-con (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-SVP-con_1.mp3|}} * SVP-mi (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-SVP-MIT_1.mp3|}} * SVP-mi (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-SVP-MIT_1.mp3|}} Singing instrument Calliphony: * Con-cal (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-con-cal_1.mp3|}} * Con-cal (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-con-cal_1.mp3|}} * Mi-cal (Female): \\ {{:evaluations:is16_evalchanter_acr_tim-ms-MIT-cal_1.mp3|}} * Mi-cal (Male): \\ {{:evaluations:is16_evalchanter_acr_tim-rt-MIT-cal_1.mp3|}} ---- ====PC test==== 3 extracts for each dimension were listened by the participants. Only the first extract is given here, for one singer (male). ===Dimension 1: articulation=== Concatenative system * PAN-con: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-pan-con_dim1-exe1.mp3|}} * PAN-mi: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-pan-mit_dim1-exe1.mp3|}} * SVP-con: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-svp-con_dim1-exe1.mp3|}} * SVP-mi: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-svp-mit_dim1-exe1.mp3|}} Singing instrument Calliphony * Con-cal: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-con-cal_dim1-exe1.mp3|}} * Mi-cal: \\ {{:evaluations:is16_evalchanter_pc1_lea-rt-mit-cal_dim1-exe1.mp3|}} ===Dimension 2: musical ornamentation=== Concatenative system * PAN-con: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-pan-con_dim2-exe3.mp3|}} * PAN-mi: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-pan-mit_dim2-exe3.mp3|}} * SVP-con: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-svp-con_dim2-exe3.mp3|}} * SVP-mi: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-svp-mit_dim2-exe3.mp3|}} Singing instrument Calliphony * Con-cal: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-con-cal_dim2-exe3.mp3|}} * Mi-cal: \\ {{:evaluations:is16_evalchanter_pc2_lea-rt-mit-cal_dim2-exe3.mp3|}} /* ---- ===== Sounds related to paper "Cantor Digitalis: Evaluation of Performative Singing Synthesis"===== Paper submitted to Interspeech 2016 Here are some of the excerpts used for the first and second ACR tests (only 1 piece out of 2). ====ACR test 1==== Zip-file: [[http://groupeaa.limsi.fr/staticaa/chanter/interspeech16/IS16_cantor_ACR1.zip|]] Natural voice (Natural) * Female: \\ {{:evaluations:is16_cantor_acr1_lea-ms-aaa-nat_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr1_lea-rt-aaa-nat_1-2.mp3|}} Yamaha voice (Ya-Keyboard) * CP4 ("Female"): \\ {{:evaluations:is16_cantor_acr1_lea-ms-aaa-yam-cla_1-2.mp3|}} * CP4 ("Male"): \\ {{:evaluations:is16_cantor_acr1_lea-rt-aaa-yam-cla_1-2.mp3|}} Cantor Digitalis with Tablet as controller (CD-Tablet) * Female: \\ {{:evaluations:is16_cantor_acr1_lea-ms-aaa-can-tab_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr1_lea-rt-aaa-can-tab_1-2.mp3|}} Cantor Digitalis with keyboard as controller (CD-Keyboard) * Female: \\ {{:evaluations:is16_cantor_acr1_lea-ms-aaa-can-cla_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr1_lea-rt-aaa-can-cla_1-2.mp3|}} Cantor Digitalis with scripted score as controller (CD-MIDI) * Female: \\ {{:evaluations:is16_cantor_acr1_lea-ms-aaa-can-mid_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr1_lea-rt-aaa-can_mid_1-2.mp3|}} ---- ====ACR test 2==== Zip-file: [[http://groupeaa.limsi.fr/staticaa/chanter/interspeech16/IS16_cantor_ACR2.zip|]] Natural voice (Natural) * Female: \\ {{:evaluations:is16_cantor_acr2_lea-ms-vow-nat_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr2_lea-rt-vow-nat_1-2.mp3|}} Cantor Digitalis with Tablet as controller (CD-Tablet) * Female: \\ {{:evaluations:is16_cantor_acr2_lea-ms-vow-can-tab_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr2_lea-rt-vow-can-tab_1-2.mp3|}} Cantor Digitalis with keyboard as controller (CD-Keyboard) * Female: \\ {{:evaluations:is16_cantor_acr2_lea-ms-vow-can-cla_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr2_lea-rt-vow-can-cla_1-2.mp3|}} Cantor Digitalis with scripted score as controller (CD-MIDI) * Female: \\ {{:evaluations:is16_cantor_acr2_lea-ms-vow-can_mid_1-2.mp3|}} * Male: \\ {{:evaluations:is16_cantor_acr2_lea-rt-vow-can_mid_1-2.mp3|}} */